eduard hanslickGerman music critic, aesthetician and pioneer of musical appreciation. He studied music with Tom??šek and read law at Prague University, writing his earliest essays for the Prague journal Ost und West and for the Wiener Musikzeitung, the Sonntagsblätter and the Wiener Zeitung. From 1849 to 1861 he was a civil servant, chiefly for the ministry of culture, meanwhile writing for the Presse, publishing his important book Vom Musikalisch-Schönen (1854) and lecturing on music appreciation at Vienna University, becoming full professor in 1870. He was also active as a musical emissary and helped promote the standardization of musical pitch. Among his long-standing friends were Brahms and the philosopher Robert Zimmermann. Though his aesthetic enshrined the classical ideals of orderliness and formal perfection, his interests were limited to the music of his own time. | |||
 |
|||
 |
|||
 |
|||
|
|
|
||||||||||
|
|
||||||||||
|
senta leaps toher death an art nouveau illustration of the final scene of the flying futchman Gemälde ID:: 60388 Siehe Galerie in Schweden |
senta leaps toher death an art nouveau illustration of the final scene of the flying futchman mk270 senta leaps toher death an art nouveau illustration of the final scene of the flying futchman. mk270_senta_leaps_toher_death_an_art_nouveau_illustration_of_the_final_scene_of_the_flying_futchman. |
||||||||
|
|
||||||||||
|
daughter of franz liszt Gemälde ID:: 60389 Siehe Galerie in Schweden |
daughter of franz liszt mk270 a domestic vision of wagner at home wih his second wife cosima, daughter of franz liszt. mk270_a_domestic_vision_of_wagner_at_home_wih_his_second_wife_cosima,_daughter_of_franz_liszt. |
||||||||
|
|
||||||||||
|
a romantic impression of wagner compoing his epic saga der ring des nibelungen Gemälde ID:: 60390 Siehe Galerie in Schweden |
a romantic impression of wagner compoing his epic saga der ring des nibelungen mk270 a romantic impression of wagner compoing his epic saga der ring des nibelungen, a cycle of four operas completed in 1874 mk270__a_romantic_impression_of_wagner_compoing_his_epic_saga_der_ring_des_nibelungen,_a_cycle_of_four_operas_completed_in_1874 |
||||||||
|
|
||||||||||
|
designed by thomas edwin mostyn Gemälde ID:: 60391 Siehe Galerie in Schweden |
designed by thomas edwin mostyn mk270 a 1914 stage set for in parsifal, designed by thomas edwin mostyn mk270__a_1914_stage_set_for_in_parsifal,_designed_by_thomas_edwin_mostyn |
||||||||
|
|
||||||||||
|
brunnhilde Gemälde ID:: 60392 Siehe Galerie in Schweden |
brunnhilde mk270 brunnhilde, from arthur rackham s 1910 watercolour illustrations to the rhinegold and the valkyrie. mk270__brunnhilde,_from_arthur_rackham_s_1910_watercolour_illustrations_to_the_rhinegold_and_the_valkyrie. |
||||||||
|
|
||||||||||
|
1 | Vorheriger Künstler Nächster Künstler | |||||||||
|
|
||||||||||
| eduard hanslick | ||||||||||
| German music critic, aesthetician and pioneer of musical appreciation. He studied music with Tom??šek and read law at Prague University, writing his earliest essays for the Prague journal Ost und West and for the Wiener Musikzeitung, the Sonntagsblätter and the Wiener Zeitung. From 1849 to 1861 he was a civil servant, chiefly for the ministry of culture, meanwhile writing for the Presse, publishing his important book Vom Musikalisch-Schönen (1854) and lecturing on music appreciation at Vienna University, becoming full professor in 1870. He was also active as a musical emissary and helped promote the standardization of musical pitch. Among his long-standing friends were Brahms and the philosopher Robert Zimmermann. Though his aesthetic enshrined the classical ideals of orderliness and formal perfection, his interests were limited to the music of his own time. | ||||||||||
|
|
||||||||||
IntoFineArt Co,.Ltd.